Office Baroque: History of the Project
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“The rings accidentally left behind on a drawing by a teacup, gave me the idea to organize the whole around two semi-circles of slightly different diameters. This began at ground level and formed the constant motif that would cut through the floors and through the roof. Where the circles crossed each other, a strange, rowboat-like form was created, and this mutated according to the supporting beams and the available floor space. In this project – that got the title Office Baroque - the ordering of the space (large, open office-space downstairs, smaller adjoining rooms on upper floors) determined how the formal elements changed from continuous round discs to shrapnel-like pieces and chunks of the original form where these ‘collided’ against walls and partitions.”
In 1977, the ICC invited Gordon Matta-Clark to realize a project in an empty office-building located across from ‘het Steen’ (an Antwerp landmark on the river Scheldt), right in the middle of the historic town center, just behind city hall. Collectors Jo Goldberg and Silvain Perlstein put their shoulders to the wheel from the outset. This work was to be part of his series of so-called ‘cuttings’, the cut-out removal of parts of buildings, whereby Matta-Clark would blow new life and movement, if only briefly, into abandoned derelict buildings and forgotten neighborhoods. After the original project had to be fundamentally altered, because no building permit was accorded, the work was entirely carried out in the building’s interior.
Items
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Letter from Gordon Matta-...
Gordon Matta-Clark, Letter from Gordon Matta-Clark to Florent Bex, 28.7.76, 1976. Letter.
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Advertisement [Advertentie]
Gordon Matta-Clark, Advertisement [Advertentie], 1977. Miscellaneum, ink, paper.
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Office Baroque: sketches
Gordon Matta-Clark, Office Baroque: sketches. Drawing, ink, paper.
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Letter of the Belgian Ass...
Florent Bex, Gordon Matta-Clark, Letter of the Belgian Association of Art Critics with reward of Best Exhibition, 1977. Letter, ink, paper.
Actors
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Guillaume Bijl
Guillaume Bijl is known for his large-scale installations and visual realism. Since the late 70s, Bijl created realistic decors using found o
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Buky Schwartz
Buky Schwartz explores our viewing and thinking habits through his sculptures, paintings and video constructions. During the 1960s and 1970s,
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Léa Lublin
Argentine artist Léa Lublin belongs to a long list of cultural producers and intellectuals who, for most of the sixties and seventies, decide
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Jacques Lizène
Jacques Lizène (°1946, Ougrée, België) is one of the most productive members of the Liège artists’ collective CAP (Cercle d’Art Prospectif,
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Foundation Gordon Matta-C...
To keep *Office Baroque* the 'Foundation Gordon Matta-Clark' was founded in 1979. When Matta-Clark died young in 1978, *Office Baroque* appea
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'Office Baroque': the pro...
At each storey in the office-building, Gordon Matta-Clark made two circular cut-through incisions. In this way, created were various and lar
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Demolition
Gordon Matta-Clark worked a lot in/with/on derelict slum buildings. In the Sixties and Seventies much of the city of New York was down on it
